Real life so real it’s boring
My Struggle is a six-volume autobiographical work by Norwegian author Karl Ove Knausgaard. Volume 1 of the series was published in 2009. Although Knausgaard himself is the protagonist of My Struggle, and his real-life family figures largely in these books, it is unclear how much of the text is fact and how much fiction, which may explain why the books in this series are generally considered novels. When Volume 1 was released, it made a major splash in the literary world. As the edition I read states, “My Struggle has won countless international literary awards.” After reading Volume 1, however, it is difficult to see what the big deal is. Knausgaard is very skilled at documenting life with detailed verisimilitude. Such talent, however, doesn’t preclude his highly descriptive prose from meandering pointlessness.
Knausgaard and I are the same age, and his tales of adolescence read very similarly to my own. He drinks and smokes with his friends, avoids his parents, tries unsuccessfully to find sex and love, wastes his time romancing a girl who really isn’t interested, dreams of being a rock musician, and builds his identity around selected bands that he likes. A third of the book is this long, convoluted story about an underaged Knausgaard expending a great deal of effort to sneak beer to a New Year’s Eve party, a party which ends up being lame anyway. If Knausgaard’s intention is to elevate regular, mundane life to the realm of literature, then at least he got the mundane part right. It turns out that growing up in Norway in the 1980s wasn’t that much different from growing up in Wisconsin. I don’t need to read about this life; I lived it.
More interesting are Knausgaard’s philosophical thoughts on matters like marriage, fatherhood, and death. He and I share some common ground in our views on such subjects. Sometimes when you find an author who sees things the way you do, it can be a revelation. “There are other people in this world like me!” In this case, however, the familiarity is just boring. For instance, roughly half the book is devoted to the death of Knausgaard’s father, dealing with his grief, getting through the funeral, and so on. That is something that most middle-aged readers can identify with, having lived through such events with their own parents. Leading up to the funeral, however, did I really need to read Knausgaard’s quotidian impressions of an airport, what he ate for breakfast at his brother’s house, or a review of the bands they listened to on the car stereo? I guess all this accumulation of prosaic observations is supposed to create an atmosphere of real life, as if to emphasize the common humanity shared by “normal people” who put their pants on one leg at a time like everybody else, but it all just feels like a colossal waste of time. Not until half way through the book does anything happen that’s beyond ordinary, and even after that, I spent about three hours of my life reading about Knausgaard cleaning a house.
Knausgaard and I are the same age, and his tales of adolescence read very similarly to my own. He drinks and smokes with his friends, avoids his parents, tries unsuccessfully to find sex and love, wastes his time romancing a girl who really isn’t interested, dreams of being a rock musician, and builds his identity around selected bands that he likes. A third of the book is this long, convoluted story about an underaged Knausgaard expending a great deal of effort to sneak beer to a New Year’s Eve party, a party which ends up being lame anyway. If Knausgaard’s intention is to elevate regular, mundane life to the realm of literature, then at least he got the mundane part right. It turns out that growing up in Norway in the 1980s wasn’t that much different from growing up in Wisconsin. I don’t need to read about this life; I lived it.
More interesting are Knausgaard’s philosophical thoughts on matters like marriage, fatherhood, and death. He and I share some common ground in our views on such subjects. Sometimes when you find an author who sees things the way you do, it can be a revelation. “There are other people in this world like me!” In this case, however, the familiarity is just boring. For instance, roughly half the book is devoted to the death of Knausgaard’s father, dealing with his grief, getting through the funeral, and so on. That is something that most middle-aged readers can identify with, having lived through such events with their own parents. Leading up to the funeral, however, did I really need to read Knausgaard’s quotidian impressions of an airport, what he ate for breakfast at his brother’s house, or a review of the bands they listened to on the car stereo? I guess all this accumulation of prosaic observations is supposed to create an atmosphere of real life, as if to emphasize the common humanity shared by “normal people” who put their pants on one leg at a time like everybody else, but it all just feels like a colossal waste of time. Not until half way through the book does anything happen that’s beyond ordinary, and even after that, I spent about three hours of my life reading about Knausgaard cleaning a house.
This is the second book I’ve read by Knausgaard, the first being his 2020 novel The Morning Star. On the basis of these two books, I surmise that Knausgaard’s strategy is to lull readers into a sleepy security by inundating them in the bland minutiae of everyday life, thereby magnifying the intensity of a few startling occurrences with which he intends to shock them toward the end of the book. The Morning Star ended in a vague, inconclusive termination. Likewise, at the very end of My Struggle, Volume 1, Knausgaard hints at some unusual aspects of his father’s death but then never delivers the secrets, thus pressuring the reader to purchase the next volume. Whether a marketing ploy or simply artsy pretention, such deliberately half-assed endings just feel like a cheat. I have already purchased Volume 2 of My Struggle, because it was on sale for a low price, but now I’m not so sure I want to spend my time on it.