Showing posts with label Indian. Show all posts
Showing posts with label Indian. Show all posts

Tuesday, December 17, 2024

Among the Tibetans by Isabella Bird



Travel to exotic lands, meet new people . . . and criticize them
Englishwoman Isabella Bird was a pioneering female explorer of the Victorian Era. She traveled to exotic lands all over the world and published several books on her adventures. What was most unusual, for a woman of her time, was that she traveled solo, unaccompanied by a husband, brother, or similar male chaperone. She led her own expeditions and hired local servants, porters, guides, etc. to assist her. Bird became quite popular through her published writings in books and magazines, which were often illustrated with her own photography. She was the first woman to be elected as a fellow of Britain’s Royal Geographic Society.

In 1889, at around the age of 60, Bird departed on a trip to India and Tibet, then into Central Asia and on to the Middle East. She recounted the Tibetan portion of this journey in her book Among the Tibetans, published in 1894. The book opens with Bird in Kashmir as she’s leaving India to enter into Tibet. From the Kashmiri city of Srinigar, she travelled to the Tibetan city of Leh and from there explored the Nubra Valley. By today’s maps, these sites are located in the Ladakh region of Indian-administered Kashmir, not in the Tibet Autonomous Region. At the time of Bird’s travels, it is unclear to me who actually had political control over the lands she visited, but historically the inhabitants and culture of Leh and Nubra are Tibetan.

Bird deserves to be seen as a feminist heroine for her accomplishments, and I admire and envy her travels. Her writing, however, as exhibited in this book at least, leaves a lot to be desired. It suffers from many of the faults also seen in writings of her male contemporaries. This was the golden age of British imperialism, and many British authors of the era write as if the whole world was merely meant to provide comfort and amusement to British travelers. Whatever fails to do so is deemed “primitive” and “savage.” Bird goes on and on about how the people she encounters are ugly, dirty, stupid, and unreliable. (The fact that she deems the residents of this or that region more handsome than another doesn’t really make up for that.) Although not averse to roughing it in the mountains, once Bird enters a city or town she complains about the squalid accommodations as if she were writing spiteful hotel reviews on Tripadvisor. She also laments that she can’t get a decent cup of tea, even though she’s in the birthplace of tea.

The primary standard by which I judge this book is how much did I really learn about Tibet. The answer, unfortunately, is not much. Bird devotes more ink to her horses than she does to Tibetan culture. Perhaps readers of her time would have enjoyed reading all this horse talk as an integral part of the adventure they could identify with. Considering the general public of Britain likely knew almost nothing about Tibet in 1894, Bird’s book might very well have been a breath of fresh air for them. It does dispense some rudimentary insight into Tibetan life and Buddhism. There’s maybe one good chapter out of five. For today’s readers, however, who grew up on National Geographic, the Travel Channel, and Wikipedia, Among the Tibetans is unlikely to offer any surprise revelations, and the relentless tone of imperialist condescension is off-putting. While today’s travel writers usually adopt an attitude of “When in Rome, do as Romans do,” Bird’s travelog is more, “When in Rome, complain that you’re not in London.”

Bird was a fascinating person, but her writing on Tibet did not fascinate me. I would probably prefer reading a recent biography of Bird (if one exits) rather than her own travel accounts written in antiquated prose with antiquated perspectives.

Wednesday, August 22, 2018

Mashi and Other Stories by Rabindranath Tagore


A modern Indian mix of romance, social realism, and a dash of horror
Rabindranath Tagore
In 1913, India’s Rabindranath Tagore became the first non-European author to win the Nobel Prize in Literature. Born in Calcutta, Tagore wrote most of his works in his native Bengali language and was prolific in both poetry and prose. Mashi and Other Stories, a collection of his short stories, was published in English translation in 1918.

The 14 stories collected here depict life in modern India in the early 20th century. Appropriate for this time period, Tagore’s writing style displays characteristics of an early modernism, though mixed with more traditional romantic and realist storytelling techniques. Tagore’s depictions of India feel a century ahead of those of British author Rudyard Kipling, who was also born in India, despite the fact that Kipling won the Nobel just six years prior to Tagore. Kipling would ladle on the local color to emphasize the exoticism of India. Tagore’s stories, on the other hand, may touch upon social issues unique to their setting like arranged marriages, income inequality, or the plight of widows in Indian society, but ultimately they succeed by emphasizing the universality of human experience through themes of love, honor, family, fidelity, loss, and regret that strike a chord in readers of all cultures.


The best story in the collection, “The Supreme Night,” is an excellent example of this. A young man grows up with dreams of becoming an important lawyer and freedom fighter. In his self-important zeal, he passes on the marriage arranged for him by his parents. The story then becomes a very sincere and moving tale of regret as the protagonist realizes the opportunity for a happy life that he has squandered. Arranged marriage features in quite a few of the stories. In “The River Stairs,” a young woman is married and widowed by the age of eight. “Subha” is about a mute girl who enjoys a simple life on her parents’ farm, until her parents decide to marry her off. Inheritance is another common plot element, as in “The Elder Sister,” in which an adult married woman loses her family’s estate to a newborn brother. For the most part, not much prior knowledge about India is required to enjoy these stories, but there is one notable exception. “The Trust Property” is really only understood after reading a closing explanatory footnote provided by the English editor. Elsewhere, Indian terms and customs are clarified by brief footnotes when needed.


A few of Tagore’s stories wander into the horror genre. In “The Skeleton,” for example, a former medical student listens to the reminiscences of the spirit of the anatomy skeleton he studied in school. Murder and suicide factor into a few others. The horror elements are not so much chilling, like the writings of Edgar Allen Poe, but rather more melancholic, like the works of French writer Théophile Gautier. Tagore is a very capable and eloquent writer, but endings are his weakness. Many of the stories here suffer from disappointing and inadequate conclusions. Often a tale will end with an abrupt twist followed by a vague resolution, leaving the reader to wonder what just happened. The feeling of melancholy is not confined to the horror tales but permeates the entire book, resulting in depressing endings that just leave the reader feeling bummed. If there is a sad way to end a story, Tagore will find it.


Overall, Mashi and Other Stories is a fine collection but fails to live up to Nobel-level expectations. Moments of emotional power and literary genius are mixed with instances of predictable and formulaic romance. There are almost as many misses as hits in the collection. Even so, for lovers of classic fiction the book is an enjoyably refreshing change from the European literary tradition.


Stories in this collection
Mashi 
The Skeleton 
The Auspicious Vision 
The Supreme Night 
Raja and Rani 
The Trust Property 
The Riddle Solved 
The Elder Sister 
Subha 
The Postmaster 
The River Stairs 
The Castaway 
Saved 
My Fair Neighbour

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