Last Stand at Saber River by Elmore Leonard

Another riveting Western in the classic Leonard style

Nobody writes a Western like Elmore Leonard! Though better known nowadays for his crime novels and their movie and TV adaptations (Get Shorty, Out of Sight, Justified), Leonard started his career as a writer of Westerns and in my opinion is one of the best that ever worked in the genre. Western novels often venture into corny territory, but not so with Leonard’s books. Last Stand at Saber River was originally published in 1956, but it reads like a Western movie of the 1970s that might have starred Clint Eastwood or Lee Marvin. It was not adapted into film, however, until 1997, when it was released as a made-for-TV production starring Tom Selleck.

After years of fighting for the Confederacy on Civil War battlegrounds out East, Rancher Paul Cable returns to his home in Arizona with his wife and three small children. Upon reaching their small community in the Saber River Valley, Cable’s first stop is the local general store. There he finds his old friend the storekeeper has since passed away, to be replaced by a surly one-armed character named Janroe. This mysterious new neighbor informs the Cables that their homestead is presently occupied by the Kidston brothers, former acquaintances from before the war. Undaunted, Cable ventures out to the old homestead to inform the Kidstons that its rightful owners have returned home. The Kidstons, however, refuse to leave, asserting that Cable lost any rights to the land when he went off to fight for the Confederacy. (By this time, Arizona was controlled by the Union.) Though Saber River may be a long way from the Civil War battlefronts, heated animosity still exists between Union and Confederate sympathizers. With no law to aid him in reclaiming and defending his home, Cable takes matters into his own hands, but not without violent resistance.

What is great about Leonard’s Westerns is his no-nonsense realism. While he doesn’t turn his back entirely on the mythic aspects of Wild West lore, the characters in Leonard’s stories act like real people. There are no cut-and-dried saints and sinners here. Everyone has shades of gray in their moral code and believable motivations behind their behavior. The action scenes are riveting because they are logically constructed within the bounds of possibility. Leonard moves his gunslingers around like pieces on a chessboard, allowing the reader to imagine himself caught in the perilous situation described. The victor of these conflicts is not a superhero capable of remarkable feats with a gun but rather the one who manages to logically outsmart his opponent. Because these are not black-and-white, good-versus-evil shootouts, the danger feels real. Leonard avoids typical Western clichés to deliver a plot that is unpredictable and immensely compelling.

When Leonard originally started publishing short stories in Western pulp magazines, his early entries were more in the traditional realm of folkloric cowboy tales, as seen in The Complete Western Stories of Elmore Leonard. His storytelling evolved over time, as did literature and film as a whole, to become darker, grittier, and more daring. Last Stand at Saber River is an example of Leonard’s mature, idiosyncratic style, yet it still falls a little short of the hard-boiled intensity of 1970’s Valdez Is Coming. Nevertheless, if you are looking for a great Western read, it’s a safe bet that any of Leonard’s Western novels from 1953 to 1972 will fill the bill.