Balzac’s Biggest and Best?
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It’s possible this is the perfect novel, and the only faults I can find may very well stem from my own ignorance. It is a brilliant work of literature, thoroughly engaging and entertaining, profound in its insights, but at times quite difficult to get through. Balzac’s field of knowledge is so broad and so deep that he is capable of expounding in intricate detail on any topic under the sun. I’m familiar with the printing, publishing, and paper making industries, so I was able to follow those threads, but when he gets into the byzantine workings of the newspaper business, the theatrical world, banking transactions, and legal proceedings, I often felt lost in the sheer overload of information. There is a tremendous amount of wheeling and dealing going on in this book, and at times it’s hard to follow, especially when expressed in the terminology of a hundred-year-old translation. I read a lot of French literature, and I’m pretty familiar with the time period, but this book was a challenge for me, and probably would be for many other readers out there, unless you’re a scholar of French history.
This book is a real centerpiece to Balzac’s magnum opus, the Comédie Humaine, with dozens of characters that either star or make guest appearances in other novels. For those who have never read Balzac before, I wouldn’t recommend this book as your introduction to his writings. First try something less intense like Père Goriot or Eugénie Grandet. But for those who have already enjoyed and appreciated the works of this literary master, then Lost Illusions is definitely worth the challenging read. Your efforts will be handsomely rewarded.
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