Wednesday, July 10, 2019
Monsters Unleashed Prelude by Stan Lee, et al.
Old monsters gooooood! New monsters baaaaaad!
Before the incredible Hulk, the Thing, or the Man-Thing made their first appearances in the Marvel Comics universe, there were Grottu, Gorgilla, Groot, Goom, and Googam. Prior to the Silver Age superhero explosion, creators Stan Lee and Jack Kirby filled the pages of titles like Strange Tales, Tales to Astonish, and Tales of Suspense with stories of giant monsters terrorizing humanity. In 2017, Marvel paid tribute to its monster-comics heritage with Monsters Unleashed, a crossover event in which Marvel heroes clashed with a variety of creatures, including some resurrected from those early Lee and Kirby stories. The trade paperback Monsters Unleashed Prelude was published as a companion volume to this event. The first half of the book reprints 13 of those classic Lee and Kirby monster tales of the 1950s and early ‘60s. The second half of the book reruns five issues of monster-related comics from 2015 and 2016. All art is reproduced in full color.
Since comic books like Tales to Astonish were anthology titles, the Lee and Kirby stories generally run about seven pages, or fourteen pages for a two-parter. The stories adhere to a common formula, but with enough variation to keep them interesting. Each monster is either the result of a science experiment gone wrong or an alien visitor set on conquering Earth. Some of the creatures are dumb brutes, but most are highly intelligent and have some way of communicating with English speakers either through telepathy or quick study. After each monster makes his entrance and reveals his fearsome name (e.g. Rommbu, Vandoom, Orrgo, etc.), he will then show off his destructive power for three or four pages. At this time it was prohibited, or at least highly frowned upon, to show anyone getting killed in a comic book, so you won’t find these monsters tearing up big cities like Godzilla. Instead, they are always in rural locations with few people around, and they mostly scare rather than hurt. In the end, one clever fellow, usually a scientist by trade, discovers some ingenious method of outsmarting the monster, neutralizing its power and defeating it. The stories tend to blend into one another after awhile, but the main attraction here is Kirby’s visionary art.
The comics reprinted in the second half of the book include Fearless Defenders #8 and Marvel Zombies #1, which give the reader an introduction to monster hunter Elsa Bloodstone. Next is Moon Girl and Devil Dinosaur #1, a recent retread of an old Jack Kirby creation. Rounding out the volume is Totally Awesome Hulk issues #2 and #3, which feature another powerful lady monster hunter named Lady Hellbender. Presumably these issues were chosen because these characters would feature prominently in the Monsters Unleashed crossover. At times the flashy art is appealing, particularly Frank Cho’s work on Totally Awesome Hulk. The writing, however, barely amounts to stories, and the scripts consist of choppy dialogue that rarely includes a complete sentence. In many ways, these random issues demonstrate how far Marvel has fallen from the glory days of the Silver Age.
It was my interest in classic comics that led me to read this volume, so not surprisingly I much prefer the vintage selections to the book’s contemporary latter half. A comprehensive volume reprinting old Kirby monster comics would easily be at least a four-star read, but this volume is severely hampered by its inferior latter half.
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