Friday, March 13, 2026

The Great Hunger by Johan Bojer



Norwegian naturalism
Norway’s Johan Bojer is known as one of that nation’s important realist authors of the late 19th and early 20th centuries. Bojer garnered enough critical respect to be nominated for the Nobel Prize in Literature five times. Several of his novels were translated into English in the 1910s, ‘20s, and ‘30s. He is known for writing novels about Norwegian immigrant life in America, but his novel The Great Hunger, published in 1916, takes place entirely within Norway.


Peer Troen is a typical boy growing up in a small town in Norway. Troen is not his birth name, however. Peer is the illegitimate child of a prosperous former military officer from Christiania (today’s Oslo), Captain Holm, who pays the Troen family to board and raise his son. Peer’s mother was a prostitute, so his father, though friendly enough, refuses to claim him as a son. In fact, Captain Holm has another, legitimate family, and admitting that Peer exists would be an embarrassment to them all. Though Peer is certainly not happy being disowned, he learns to come to terms with his lot in life. He dreams of becoming a priest, at that time an upper-class profession requiring higher education. When both his parents die, however, there is no one left to pay the Troen family for his upkeep. Peer finds out his father was not as wealthy as he thought, and his inheritance is paltry. Peer is dropped into a life of poverty, but he still manages to work his way through engineering school in hopes of succeeding in a career.


The title of the book is both literal and figurative. While there is no mass famine here, the story does deal with the poverty and hunger of one Norwegian family. The “hunger” in question, however, more pointedly refers to the desire of humans to create, accomplish, and/or conquer and to leave behind a legacy for posterity. Bojer asks the question is enough to simply enjoy life? Are love and happiness the purpose of our existence? Peer seems to think so, for a while anyway. But can a man, or mankind, be truly satisfied with blissful complacency? One of Peer’s close friends begs to differ, asserting that the irresistible force of evolution imparts to everyone a Promethean drive to create, build, and strive toward progress, even at the expense of comfort and joy. This novel is chiefly concerned with the conflict between these two attitudes toward human nature and the meaning of life.


The Great Hunger is strongest in its first act, when it adheres most strictly to the tenets of naturalist literature. Peer must deal with the hand that’s dealt him by his heritage, and through him Bojer realistically depicts the struggles of poor and working class life in Norway. At about the halfway point, the novel starts to get more didactic and preachy, as if Bojer were delivering a sermon. This sermon, however, is a secular one that appeals to my personal freethinking inclinations. Bojer makes many openly atheistic statements that are a breath of rationalistic fresh air. By the early 20th century, more Scandinavian writers were penning literature from an atheist viewpoint, such as Bojer in Norway and Jens Peter Jacobsen and Johannes V. Jensen in Denmark.


I was less impressed with the later chapters of the book. For a while, it seems like Bojer is going to follow up on Peer’s bastard upbringing. Peer becomes friends with his own half-brother, who is unaware that they share the same father. That plot thread is never followed through, however, and remains inconclusive. The ending of the book in general is rather week, but adhering to realism often means that expectations of closure remain unsatisfied, much like real life itself. Nevertheless, I found Bojer to be a writer certainly worth investigating further, and I’m sure this won’t be the last of his books that I’ll read.

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